Wednesday, February 24
"Can you hear this?"
"Can you hear this?"
1 minute into the following recording Lou Reed asks the crowd that simple question. What those people heard that August 2, back in 1969 was one of the finest performance ever put on by any band.
Of course this wasn't just any band, these good folks came to see and experience New Yorks greatest gift to the music world, The Velvet Underground.
With Lou Reed on lead guitar & vocals, Sterling Morrison on guitar, Doug Yule on bass & organ and Maureen "Moe" Tucker on drums, they turn their music into a force that stopped any soul dead in it's tracks. Don't believe me, just listen to this sneak peek of what exactly you're about to get yourself into ....
I said it before and I'll say it again, only way this could be better is if I actually was there in person but since I still have not figured out a way to make that happen, this bootleg will do just fine.
Track List
1. I'm Waiting For The Man (7:20)
2. Run Run Run (10:35)
3. Pale Blue Eyes (6:04)
4. What Goes On (11:40)
5. Heroin (6:54)
6. Sister Ray (33:20)
Download The Velvet Underground - Ostrich/Hilltop bootleg HERE
Tracks 1 through 5 were recorded live at the Hilltop Rock Festival, Rindge, New Hampshire, August 2, 1969. Track 6 is from La Cave, Cleveland, Ohio, January 28, 1969.
This has been NotSoVelvet and in the words of Freddie Mercury "I'm just a musical prostitute, my dear."
Monday, February 22
Heavy Metal and rap music: Is it only for the bad kids?
In 1994 a study was conducted to examine the relationship between rap and heavy metal music and factors of adolescent turmoil including grade point average, suspension/expulsion, sexual activity, parental custody, crime and drug and alcohol abuse. During the time of publication, both rap music and heavy metal music were considered strongly socially disapproved forms of music, due to controversial subject matter in the lyrics. The conductors and authors of this study were Kevin J. Took and David S. Weiss. The experiment was conducted by administering a questionnaire to 88 sets (both adolescent and adult) to answer questions regarding psychosocial functioning, family demographics, and musical preferences.
The participants included individuals aged 12-18 (the mean age being 14.6), 41 males (47%), 38 females (44%), and 8 (9%) unknown due to omission of answering the gender question on the questionnaire. All participants were or had been either outpatients at a military medical center , child psychiatric clinic, or adolescent substance abuse clinic, so the level of social turmoil may be more prevalent when studying this group of people. The groups of participants were separated into heavy metal and rap listeners and “other music” listeners. The participants statistics were combined and will be referred to as the HM/R group.
The dependent variable of this study was the relationship between social turmoil in adolescents and the listening habits and preferences of the participants. The factors included disturbed family history such as abusive or unhealthy marital relationships in parents, difficulties in elementary school, below average grades, having a history of crime or substance abuse. There are two main hypotheses for this study. One, being that heavy metal and rap listeners will be in more adolescent turmoil than will non heavy metal/rap listeners. The other hypothesis is that listening to heavy metal or rap music is just another sign of adolescent turmoil.
The independent variables of the study for the adolescents questionnaire included below average grades (46 % Hm/R, 24% other), suspension or expulsion from junior or high school (44% Hm/R, 23% other), illicit drug use (23% HM/R, 8% other), sexually active ( 40% HM/R, 18% other) and counseling for drug and alcohol (38% HM/R, 15% other). For the parent’s questionnaire, was smilier, only they were asked about their children, so that the results were reliable on the topics. When asked about themselves, there were no major differences between the groups of HM/R and other group’s parents.
The results show that there is an association with rap and heavy metal music with adolescent turmoil, however, the majority of HM/R listeners were male, and it is suspected that these destructive, sexual active, and substance behaviors are more common in adolescent males. Another conclusion suggests that heavy metal and rap music is found by those with problems in school and low performance, as evidenced by Erikson’s “industry vs. inferiority” stage during adolescence. This type of music may encourage and empower adolescents and give them an identity to establish a more healthy self esteem and an image of power and the acceptance of tolerant peers.
References
Kevin J. Took, David S. Weiss. (1994, Fall) “THE RELATIONSHIP BETWEEN HEAVY METAL AND RAP MUSIC AND ADOLESCENT TURMOIL: REAL OR ARTIFACT?”. Adolescence, 35 (115) 613 Retrieved Web. October 14th 2009 from
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